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September 9th, 2010 at 7:46 am
I love this album, I mean, really love it. Bon Iver had my 2009 album of the year selection, and this one could of been my 2010 selection, if it did one thing….. They should of never put the poppy “Good Morning” song on the album. Its like they stole it from some 16 year old disney sponsered singer or band. The rest of the album is pure money though. If you blended The Ocean Blue, Hoodoo Gurus, Death Cab, and a bit of R.E.M together, this album is what you get. Its to bad about that darn song though…
September 9th, 2010 at 7:38 pm
Rogue Wave is one of the few bands around today that you really can’t compare to anyone else. I know people toss around names like The Shins or Death Cab, but really Rogue Wave just sounds like Rogue Wave – and to me that’s a very good thing. It’s a tribute to the band’s ability to create songs that are sonically varied and adventurous, and to their desire to grow and evolve from record to record. I’ve always been a firm believer in allowing bands the space and freedom to stretch and experiment. I don’t understand why so many people seem to want their favorite bands to make the same record over and over again. “Permalight” is definitely a departure from “Vultures” and “Asleep at Heaven’s Gate,” but you can still find bits and pieces of the band’s past scattered across the songs. Granted, tunes like “Goodnight” and the title cut are not going to be to everyone’s taste, but after several close listens I found plenty to like about them – and for those who want their old beloved Rogue Wave there are great songs like “The Fear Itself,” which would be right at home on any of the band’s previous records. I give Zach credit for coming through difficult personal times with a bright outlook and a willingness to push himself and his band forward. It’s called personal and professional growth, people, and it’s the only thing that keeps an artist both relevant and interesting. Rock on, Rogue Wave!
September 10th, 2010 at 7:20 am
I’m new to Rogue Wave, so I don’t have the perspective of the long time fans. All I can say is, it’s the best pop music of 2010 I’ve heard so far. It reminds me of the pleasantly catchy pop you heard on alternative radio in the mid-late ’90s: Think Foo Fighters’ “Big Me” (“It’s you…I fell into”) and Oasis’ “Wonderwall”. I hear a lot of Elliott Smith here too. Now I loved XO and Either/Or just as much as Roman Candle and Elliott Smith, so maybe you can compare that to new vs. old Rogue Wave as well.
Also, I commend Rogue Wave for putting the two best tracks at the beginning of the album. I prefer to get hooked in first, which keeps me happy while the rest of the album grows on me.
This is not groundbreaking music. If “retro” can apply to the sound of 1995-1999 music now, that’s what this is. I for one love it.
September 10th, 2010 at 7:13 pm
My favorite Rogue Wave album is their first, the organic, acoustic guitar driven, and somehow psychedelic “Out of the Shadow.” “Permalight” is the furthest thing from that, but a logical progression through their discography. It is very “Poppy” with much more blissful melodies and electronic infusions. In fact, 3 or 4 songs on this album use a drum machine in the band’s effort to make nearly danceable rock music.
I must admit that I prefer the organic sound of their first album, but “Permalight” is probably their best album since for many of the same reasons. It still presses all of the same emotional buttons for me, and the studio ear candy abounds. So many little pieces seamlessly come together to make each track, that the album is fresh and even improves with a half dozen listens.
One of my friends, a true indie rocker, can’t get over the electronic and poppy sound. I can appreciate that, but this album has all the chops and quality of Rogue Wave at their best. If you’re a fan or an interested newcomer who can deal with a shiny-sweet tune, give this one a listen.